Commercial radio stations represented by the Radio Music License Committee (“RMLC”) should take note of yet another extension – through March 31, 2020 – of the interim license allowing those stations to play music in the repertory of Global Music Rights (“GMR”) while the RMLC and GMR continue to duke out their music licensing differences … Continue Reading
One of the most famous movie franchises ever is the “Rocky” series. From its origin as an underdog story where an unknown fighter named Rocky Balboa shocks the world by taking heavyweight champion Apollo Creed the distance (spoiler alert: only to lose the fight but get the girl) through sequels II (Rocky Wins!), III (Mr. … Continue Reading
We have been following the ongoing saga that is the dispute-turned-litigation between the Radio Music License Committee (RMLC) and Global Music Rights (GMR) since late 2016, providing several updates along the way. What started as an impasse between a main representative of commercial radio stations in the country on music licensing issues (the RMLC) and … Continue Reading
If you are a commercial radio station that authorized the Radio Music License Committee (RMLC) to represent you in negotiations and litigation against SESAC, then you need to act quickly to receive the full fruits of the RMLC’s labor. Unless you return an executed copy of the RMLC-SESAC radio license to SESAC by March 26, … Continue Reading
Over the past 14 months, we’ve kept our readers updated on the music licensing fight between the Radio Music License Committee (RMLC) and Global Music Rights (GMR). This, of course, started when the two sides couldn’t reach an agreement on the terms of a license that would allow the commercial radio stations represented by the … Continue Reading
Attention, noncommercial educational (NCE, a/k/a “public”) broadcasters! If you have been wondering how much you’ll have to pay to broadcast musical compositions this year (and beyond), wonder no more. The rates for 2018 through 2022 were published in the Federal Register on January 19. For those new to the issue, these rates have been administered … Continue Reading
It was around this time last year that one of the most closely watched fights in music licensing history – if not copyright generally – went to the next level as the Radio Music License Committee (RMLC) sued Global Music Rights (GMR). The RMLC lawsuit alleges that Irving Azoff-founded newest Performing Rights Organization (PRO), was … Continue Reading
No sooner did we report an update on the dispute between the Radio Music License Committee (RMLC) and Global Music Rights (GMR), do we have another update to share. Only this time, the update: (1) is less wonky/more practical, (2) is good news for commercial radio stations, and (3) requires action by affected stations.… Continue Reading
(As end of GMR Interim License Period Approaches, fight over GMR’s refusal to deal with Pennsylvania radio stations has implications for others around the country) We’ve written (and talked) plenty about the fight between the Radio Music License Committee (RMLC) – which represents the interests of the commercial radio industry in negotiating licenses with performing … Continue Reading
(Stations will pay 60% less than old SESAC rate card) While the fight between the Radio Music License Committee (RMLC) and Global Music Rights (GMR) has captured music licensing headlines in 2016 and 2017 (including here at Commlawblog), it has previously been RMLC v. SESAC which stole the show. (Recall that until GMR came on … Continue Reading
(Stations Fearing a Difficult Choice Before January 1 now have until January 31 to opt in to an interim license agreement and continue playing GMR songs through September.) If you are a radio station, especially a commercial radio station primarily playing music, you are probably aware of the dueling lawsuits filed by the Radio Music … Continue Reading
Many readers will recall our posts about the webinar discussing the Radio Music Licensing Committee’s lawsuit against Global Music Rights that was scheduled for this week. As we have explained to readers in our earlier blog posts, GMR was founded to extract higher license fees for its copyright owner members than those obtained by ASCAP or BMI … Continue Reading
Copyright Royalty Judges Reinstate Reporting Relief for Most Noncommercial Broadcasters You may recall that in August 2016, we reported that the Copyright Royalty Judges had proposed to modify the rules governing how noncommercial broadcasters are supposed to report the sound recordings that they stream to SoundExchange. That proposal was published at the urging of the … Continue Reading
Many broadcasters are telling FHH they’ve been contacted by the Radio Music License Committee about a lawsuit the RMLC has filed against a new performing rights organization. Called Global Music Rights, it was founded in 2013 with the goal of extracting higher music license fees than those offered through other PROs like ASCAP and BMI. … Continue Reading
We previously informed you about the Radio Music License Committee’s (RMLC) antitrust lawsuit filed against the “fourth” performing rights organization (“PRO”), Global Music Rights (“GMR”) for engaging in anticompetitive conduct designed to drive up music licensing prices. Now, GMR has filed an antitrust lawsuit of its own in a different federal court against the RMLC. … Continue Reading
Many broadcasters are telling FHH they’ve been contacted by the Radio Music License Committee about a lawsuit the RMLC has filed against a new performing rights organization. Called Global Music Rights, it was founded in 2013 with the goal of extracting higher music license fees than those offered through other PROs like ASCAP and BMI. … Continue Reading
We have previously written here, here, here, and here about the Radio Music License Committee’s (“RMLC’s”) successful attempt to impose on SESAC some of the same competitive restrictions that limit ASCAP’s and BMI’s ability to demand inflated license prices for publicly performing the musical compositions of their members. It was only a matter of time … Continue Reading
In a report on "Copyright and the Music Marketplace", the Copyright Office has set out a wide range of observations and recommendations that could resonate for years in Congress and elsewhere.… Continue Reading
