Tag Archives: Music licensing

Attention Commercial Radio Stations: Upcoming Deadline for Eligible Stations to Receive Retroactive Refund of Certain SESAC License Fees

If you are a commercial radio station that authorized the Radio Music License Committee (RMLC) to represent you in negotiations and litigation against SESAC, then you need to act quickly to receive the full fruits of the RMLC’s labor. Unless you return an executed copy of the RMLC-SESAC radio license to SESAC by March 26, … Continue Reading

Commercial Broadcasters March Toward a Second Extension of GMR Interim License

Over the past 14 months, we’ve kept our readers updated on the music licensing fight between the Radio Music License Committee (RMLC) and Global Music Rights (GMR). This, of course, started when the two sides couldn’t reach an agreement on the terms of a license that would allow the commercial radio stations represented by the … Continue Reading

Rates to Perform Musical Compositions in 2018-2022 Published for Noncommercial Broadcasters

Attention, noncommercial educational (NCE, a/k/a “public”) broadcasters! If you have been wondering how much you’ll have to pay to broadcast musical compositions this year (and beyond), wonder no more. The rates for 2018 through 2022 were published in the Federal Register on January 19. For those new to the issue, these rates have been administered … Continue Reading

‘Here Comes the Sun…’ Federal Magistrate Recommends that RMLC Lawsuit Against GMR be Moved to California

It was around this time last year that one of the most closely watched fights in music licensing history – if not copyright generally – went to the next level as the Radio Music License Committee (RMLC) sued Global Music Rights (GMR). The RMLC lawsuit alleges that Irving Azoff-founded newest Performing Rights Organization (PRO), was … Continue Reading

Commercial Radio Stations Offered Opportunity to Extend Interim License with GMR

No sooner did we report an update on the dispute between the Radio Music License Committee (RMLC) and Global Music Rights (GMR), do we have another update to share.  Only this time, the update: (1) is less wonky/more practical, (2) is good news for commercial radio stations, and (3) requires action by affected stations.… Continue Reading

RMLC Seeks PI; Attempts to Stay in PA, Avoid CA

(As end of GMR Interim License Period Approaches, fight over GMR’s refusal to deal with Pennsylvania radio stations has implications for others around the country) We’ve written (and talked) plenty about the fight between the Radio Music License Committee (RMLC) – which represents the interests of the commercial radio industry in negotiating licenses with performing … Continue Reading

Independent Decisionmakers Reduce SESAC’s Commercial Radio License Rate by Tens of Millions of Dollars

(Stations will pay 60% less than old SESAC rate card) While the fight between the Radio Music License Committee (RMLC) and Global Music Rights (GMR) has captured music licensing headlines in 2016 and 2017 (including here at Commlawblog), it has previously been RMLC v. SESAC which stole the show.  (Recall that until GMR came on … Continue Reading

Radio Music License Committee and Global Music Rights Reach Interim License Agreement

(Stations Fearing a Difficult Choice Before January 1 now have until January 31 to opt in to an interim license agreement and continue playing GMR songs through September.) If you are a radio station, especially a commercial radio station primarily playing music, you are probably aware of the dueling lawsuits filed by the Radio Music … Continue Reading

FHH Webinar Recording Available: What You Need to Know About Global Music Rights and the RMLC’s Lawsuit Against It

Many readers will recall our posts about the webinar discussing the Radio Music Licensing Committee’s lawsuit against Global Music Rights that was scheduled for this week. As we have explained to readers in our earlier blog posts, GMR was founded to extract higher license fees for its copyright owner members than those obtained by ASCAP or BMI … Continue Reading

Noncommercial Broadcasters Receive Welcome Reporting News

Copyright Royalty Judges Reinstate Reporting Relief for Most Noncommercial Broadcasters You may recall that in August 2016, we reported that the Copyright Royalty Judges had proposed to modify the rules governing how noncommercial broadcasters are supposed to report the sound recordings that they stream to SoundExchange. That proposal was published at the urging of the … Continue Reading

Reminder to Sign-Up for FHH Webinar: What You Need to Know About Global Music Rights and the RMLC’s Lawsuit Against It

Many broadcasters are telling FHH they’ve been contacted by the Radio Music License Committee about a lawsuit the RMLC has filed against a new performing rights organization. Called Global Music Rights, it was founded in 2013 with the goal of extracting higher music license fees than those offered through other PROs like ASCAP and BMI. … Continue Reading

GMR Strikes Back

We previously informed you about the Radio Music License Committee’s (RMLC) antitrust lawsuit filed against the “fourth” performing rights organization (“PRO”), Global Music Rights (“GMR”) for engaging in anticompetitive conduct designed to drive up music licensing prices.  Now, GMR has filed an antitrust lawsuit of its own in a different federal court against the RMLC. … Continue Reading

FHH Webinar: What You Need to Know About Global Music Rights and the RMLC’s Lawsuit Against It

Many broadcasters are telling FHH they’ve been contacted by the Radio Music License Committee about a lawsuit the RMLC has filed against a new performing rights organization. Called Global Music Rights, it was founded in 2013 with the goal of extracting higher music license fees than those offered through other PROs like ASCAP and BMI. … Continue Reading

RMLC Seeks to Subject GMR to the Same Competitive Restraints Governing ASCAP’s, BMI’s, and SESAC’s Licensing Practices

We have previously written here, here, here, and here about the Radio Music License Committee’s (“RMLC’s”) successful attempt to impose on SESAC some of the same competitive restrictions that limit ASCAP’s and BMI’s ability to demand inflated license prices for publicly performing the musical compositions of their members. It was only a matter of time … Continue Reading
LexBlog